The Aphorisms of Kherishdar (Kherishdar 1)
The Aphorisms of Kherishdar (Kherishdar 1)
Alien wisdom tales about the power of community, love, and a fair society.
For the Ai-Naidar, caste and tradition are not the shackles that imprison the spirit but the silences that make sense of the music of their lives. The Aphorisms of Kherishdar collects 25 short tales about what it is to have an Ai-Naidari soul: to find comfort in tradition, law and structure; to revere interdependence over individualism; to know one’s place… to always have one.
A gem for lovers of constructed languages, and a provocative read: come meditate on values rarely celebrated in fantasy and science fiction.
Can be read as a standalone or as a prequel to Black Blossom.
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Genre (setting): low fantasy/implied science fiction (Kherishdar)
Tags: flash fiction, meditations, poetry, linguistics, conlangs, aliens, virtues
Rating: PG for emotional situations
Excerpt from The Aphorisms of Kherishdar
MENUREDI
menured [ MEHN yoo rehd ], (noun), singular menuredi — loyal servants of a liegelord or liegelady; a special connotation of fidelity and intimacy. The liegelord/lady counterpart is masured(i)
I had not expected the irimkedi, the servant, who came to my studio for the review, but I did recognize her. Not as tall as the average Ai-Naidari, she was instead supernally graceful, as if the ancestors sought to compensate for her lack. Her simple robe had been fashioned of softest silk, the House emblem richly embroidered, and a flash of sunlight at her tail's end brought the eye to a ring there with dependent jewel. She had accompanied her Head of Household when that worthy came to commission a design for her seal. I was not often called upon to do such work, but I enjoyed it, though I rarely saw the stone stamp that would be carved from the final design.
She was irimkedi, and so I spoke first. "Your mistress has not come?"
"The design is to be evaluated by me in her stead," she replied, politely Abased. She read my incredulity in the faint twitch of my ears, for she lifted a wrist, the sleeve pulling back to expose a signet dangling from a chain.
My brows lifted, but I bowed my head and indicated the table. "The sketch is here."
Her shadow pooled over the parchment. Her mistress, following convention, had requested an abstract design, a cylinder long enough for her slender hand to comfortably hold when she used it to stamp her House sigil on official documents.
"Is your lead available?" she asked.
I glanced at her, but her face remained impassive. I brought her the requested lead, and she sat and began to draw--to correct my lines. With a few deft strokes she had solved several aesthetic errors I hadn't noticed and improved the grace of the design immeasurably.
"This," she said, standing. "This will be acceptable when inked."
I looked from the paper to her face, astonished. "You have a great talent, irimkedi."
She brushed the dust from her hands and folded them into her sleeves, preparing to depart. "You are thanked, jakedi."
"Why... why did you not...?"
She canted her head. "Why was your path not chosen?"
I nod.
A tender smile touched her lips. She glanced at her feet, lost in some memory of feeling. At last, she said, "To be an artist is to serve many, but without intimacy. To be a servant is to serve one in a relationship closer than breath." She lifted her eyes. "My liegelady is loved. There is no other."
I bowed to her then. She returned it and took her leave, and with it her shining. I stared after her long after she'd gone, and then I went back to my desk with the revised sketches. In the book I kept my ideas to be transferred to scrolls, I chased her devotion into words.
There is no higher calling than to serve with love.
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Something you'll want to keep around and consider on those days when your heart hurts, and you need some kind of textual healing. The thoughts in this book, alien though the culture is, are ultimately bent towards goodness and wholeness in the world, and that is lovely, whatever face it shows. Simply gorgeous.
(originally reviewed Jan. 18 2014)
M. C. A. Hogarth has a whole raft of worlds in her head. Kherishdar is one about society and the nature of civilization, the mutual responsibilities between society and the individual, in a world that alternately draws and repels different readers with its castes and caring, its strangely fragile cat-people and their rules and rituals, duties and complex manners of interaction, its reincarnating god-king who *is* civilization and his plans.
Farren, the Calligrapher who narrates all the anecdotes in this collection, is something of a voice -- or perhaps a pen -- of his society, a vivid if quiet personality who introduces us to their vocabulary, their beliefs and their assumptions through the people he meets and the artwork he makes for them of significant words. It's the start of the Kherishdar series and a gentle greeting.